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The Midwife's Apprentice

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BfK No. 105 - July 1997

Cover Story
This issue’s cover is from the gift edition of Roald Dahl’s Charlie and the Chocolate Factory illustrated by Quentin Blake and with design and typography by Peter Campbell. The successful collaboration between Roald Dahl and Quentin Blake has played an important part in the popularity of Dahl’s work over the last fifteen years. Blake’s unmistakable artwork truly complements Dahl’s writing. His economical, amiable, illustrative style balances out Dahl’s often expansive language. And the liveliness, humour and pathos of the drawings offer a softer side to Dahl’s sometimes gloriously grotesque, sometimes cruel descriptions of his characters.

Thanks to Penguin Children’s Books for their help in producing this July cover which commemorates the thirty years anniversary of Charlie and the Chocolate Factory’s first UK publication.

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The Midwife's Apprentice

Karen Cushman
(Macmillan Children's Books)
128pp, 978-0330349611, RRP £3.99, Paperback
10-14 Middle/Secondary
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'From someone who had no place in the world, she had suddenly become someone with a surfeit of places.' This is the transformation achieved by the young woman whom we met as Brat and leave as Alyce in this highly readable and always engaging novel. Set in the England of the fourteenth century, it belongs to that genre of historical fiction which places its emphasis on the everyday lives of ordinary men and women (here, mainly women) as distinct from the doing of the mighty and privileged. As we follow Brat's progress from abandoned orphan to young midwife a vivid picture emerges of a world characterized by harshness and cruelty and a desperate struggle to survive. It is her combination of humour, resilience and adaptability which enables her to come through, to learn to live with disappointment and, above all, to understand the gap which exists between dream and reality. Cushman brilliantly incorporates these themes of personal growth within a fascinating frame of medieval social (and medical) history, the erudition being lightly and entertainingly displayed.

Reviewer: 
Robert Dunbar
5
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